Some Account of the English Stage, From the Restoration in

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Standard catalog, Lit and philol sec "An excellent complete edition of Plautus is being published in the Locb classical library: 'Plautus; with an English translation by Paul Nixon.' V 1-3 1916-30 Putnam $2.50 ea; Heinemann los ea. One could barely choose plot as the secondary element. A Shaping of Connections: Commonwealth Literature Studies, Then and Now: Essays in Honour of A. Bates (List of Irish dramas) 12 One-act plays for stage and study. 7 ser French (Play list) 230 Our American theatre.

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Who's in the Goose Tonight?: An Anecdotal History of

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Theme: Search of the soul after beauty. 4 Imaginative Adventure; a pageant-drama of life and chance. Levy fils, Paris 2v xxiv,132; 152p il o.p. Many beautifully colored plates depicting Euro- pean costume of the 12th to i6th centuries, in- cluding the various countries of Europe and Eng- land and ecclesiastical vestiture as well. I also wish to express my thanks for the courtesies extended to me by the following libra- ries: Syracuse University Library during the summer of 1931; the well- organized Drama Room of the 58th Street Branch of the New York Public Library; Yonkers Public Library; Teachers College Library; Columbia University Library; The Dramatic Museum of Columbia University; and the New York City Public Library.

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Motion Capture in Performance: An Introduction

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DRAMATIC BIBLIOGRAPHY Personal reminiscences of Henry Irving. The main headings include: General works (Bib- liographies and periodicals); Playwriting; Censor- ship; Dramatic criticism; Actors and acting; Play production (Stage lighting, scenery, etc.); Cos- tumes; Make-up; Theatre buildings; Types of the theatre. Latin American and Caribbean Dance: Identities in Motion Examines the features of Latin American and Caribbean dance forms to uncover the ways in which dancing shapes national, racial, and gender identity.

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Staging Gertrude Stein: Absence, Culture, and the Landscape

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A handful of ontological assumptions can be offered. Grose, Janet L. “Susan Glaspell’s Trifles and ‘A Jury of Her Peers’: Feminine Reading and Communication.” Tennessee Philological Bulletin: Proceedings of the Annual Meeting of the Tennessee Philological Association (TPB). 36 (1999): 37-48. And again in comparison with metaphor, which is based on similarity, and in which meanings are conserved and transferred from one thing to something said to be like it, the metonymic is unstable.

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The Critical Shaw: On Politics (Critical Shaw Collection)

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School oris mag (French court) 115 German costume 111 Grecian and Roman costume (Classical) 111-12 Also see material in the following; Attic theatre. The covering-law approach to historical explanation was supported by other analytical philosophers of science, including Ernest Nagel (1961). New National and Post-Colonial Literatures: An Introduction. Henderson 156 American history in masque and wig.

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Memoirs on Mime for All Time: The Emergence of Physical

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Laura Baldt. (Lippincott's home manuals) 1916 Lippincott 454p il $2.50 "Deals chiefly with the technical processes in- volved in garment construction. A play might be written, handed over to the manager of a company of actors, and produced with or without the author's name. The appendi.x contains bibliogs of general refer- ences, giving dates and publishers; and lists of the plays of the dramatists represented.

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Master of Ceremonies: A Memoir

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Critics may base their assessment on a range of theoretical positions. The author is associate professor of English in Goucher college. Those who practice formalism claim they do not view works through the lens of feminism, psychology, Marxism, or any other philosophical standpoint. Our faculty is committed to nurturing young scholars and practitioners by offering a solid foundation in theater history, theory, and criticism that students can take into various arenas when they graduate.

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Theatricality as Medium (Paperback) - Common

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Robinson. 1926 Eldridge 12p 35c Pantomime for children, in 3 scs; large cast; I hr; full directions. Video/C 7824 Kazuo Ishiguro, born in Nagasaki, Japan and raised in England, is one of the most brilliant novelists of his generation. Each chapter contains ample references and notes. Contents include: pt I The twentieth century theatre (Gordon Craig and Appia); The mechanician, stage devices, etc.; The electrician (Belasco, etc.); The painter (Russians); Appia — the light as dramatist; Gordon Craig and his art; The plastic stage; Expression- ism; The formal stage; The actor re-animated pt II The eternal theatre (Greek, and history); The movies; The next theatre pt III Theatre without plays; Twilights of real- ism; Form of the future; Content of the future; Drama of intimacy and of crowds; Theatre of democracy On P283-9 is a bibliog of selected books of ref- erence on theatre, production, theatre arts, scen- ery, etc.

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Maciej Korbowa and Bellatrix (Axis Series)

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Up-to-date handbook on bright, entertain- ing musical plays and comedies. Economic History Review 1991 (44/2) 297-318. Documents recently obtained by the Globe indicate the school filed a permit application in August with the city seeking to create an Emerson College welcome center in the Colonial Building, next door to the theater’s entrance. But why he went, or when, history does not tell us. The most fundamental objections, however, are these: first, that there are virtually no good examples of universal laws in history, whether of human behavior or of historical event succession (Donagan 1966: 143–45); and second, that there are other compelling schemata through which we can understand historical actions and outcomes that do not involve subsumption under general laws (Elster 1989).

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STAGE ITS PAST & PRESENT (Victorian Muse)

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Some theater critics work primarily as freelance writers who sell their work to various forms of media, while others work as columnists or regular contributors to a particular magazine or newspaper. The "learning plays" were conceived by Brecht as the model for the "theater of the future." Gregor 29 Scenes and machines on the English stage during the renaissance. Young (Plays for marion- ettes) 245 Theatre: Essays on the arts of the theatre, ed.

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